Born in Palestine, Texas, Bakehouse artist Troy Simmons first became interested in art through his grandfather, who was a skilled craftsman that built his own home. Although he studied environmental science and architectural technology, he would later pursue his true passion by becoming a self-taught artist. He moved to Miami to fully immerse himself in the art world and has been in residence at Bakehouse Art Complex since 2011. 

Can you tell us about your artistic practice?

I am an abstract, multimedia sculptor primarily working with concrete, fabric, acrylic, construction debris and found materials. My sculptures translate a unique language derived from a lifelong collection of experiences and my studies in architectural technology and environmental science. The work explores natural ecologies, past and present cultures, futuristic world, stereotypes, identity and my experiences growing up in the South during the 1980s and 1990s. My process provokes curiosity for both myself and the audience, urging us to look past the exterior in search of what’s beneath the surface. 

Tell us about a personal artistic project or body of work that you are currently excited about. 

I’m in the final stages of a public art commission with Miami-Dade Art in Public Places and Bombardier, Inc. I’m constructing a 22-foot by 30-foot cantilevered, concrete, steel, and aluminum sculpture inside the lobby of Bombardier Inc.’s new facility. Referencing one of my early sculptures titled (VORTEX), I’m working with a team of engineers and fabricators to meet the codes and regulations for the large free-standing interior sculpture. The sculpture and facility are simultaneously under construction at the Miami-Opa Locka Executive Airport and scheduled to open in the winter of 2022. 

Tell us about how you have developed as an artist since you began working at Bakehouse. 

I’ve been a full-time artist since I started my Bakehouse residency in 2011. The facility and campus has allowed space for my practice to expand beyond levels that I never imagined. I’ve often found inspiration in the historic physicality of the building itself. While working as a resident artist, my work has been shown at institutions and art fairs around the world. I’ve completed major commissions and placed work in several private collections throughout America, Europe, and Asia. My studio practice at Bakehouse has allowed me to freely create and share my work with the world. 

What do you enjoy most about being a part of the Bakehouse community? 

The Bakehouse community offers a wealth of knowledge through its diverse group of artists. It’s a micro ecosystem of free thinkers that inadvertently expose you to their worlds. Through our work and conversations, we have the opportunity to walk in each other’s shoes.